![]() Since 1990, televisions with screens larger than 13 inches have been required to contain the circuitry necessary to display captions, and since Jan. (The 30 Rock theme, for example, is “exciting jazz music.”) They also indicate background noises, note who’s speaking at times when it isn’t obvious, and sometimes describe musical cues. They were created to make television accessible to deaf viewers who cannot pick up any audio cues, and so they go well beyond the transcribed dialogue you might find on a foreign movie’s subtitles. and South Korea.Closed captions-called “closed” because viewers can choose to turn them on or off, whereas “open captions” are visible at all times-were developed in the 1970s. It was reported that the company’s co-chief met with Prime Minister Han Duck-soo and other key officials Thursday to discuss the expanded partnership between the U.S. Sarandos’ two-day visit was also seen as an effort to influence the country’s high-level decisions over the company’s conflict with a South Korean mobile carrier SK Broadband over network usage fees. And in the case of a show’s success, we make sure that creators are compensated in a right manner in the next season.” In general, it’s important to us that we remain competitive and promote a healthy ecosystem. “It’s a competitive market, and we compensate very top of the market. “When we make deals, we guarantee our studios and creators to be compensated fairly,” Sarandos said. In a session with local creators and partners, the streaming giant also touched on some of the more delicate issues such as the debate over the company’s profit-sharing structure and whether it is fair for Netflix to acquire all IP rights for dramas and films produced here. The company, founded in 1989, participated in Netflix original series Stranger Things and Marvel’s Eternals. Scanline, a VFX arm of Netflix, which the streaming giant acquired in 2021, has also come up with a series of training programs to nurture young talents in postproduction through workshops and seminars. “Our sales revenue rose 74 times since 2018.” “Our studio began in 2018 with only three people and expanded to 190 staff over the years,” Son said. Daniel Son, the CEO of local VFX studio Westworld that is responsible for developing special visual effects for hit series like Sweet Home (2020), The Silent Sea (2021) and All of Us Are Dead (2022), participated as a panelist Thursday to discuss the company’s growth over the years as a partner for Netflix. Netflix also stressed the company’s committed partnership with local players. We have to invest in their talent collectively as an industry.” “Just yesterday I met 100 students with director Park Chan-wook - all future screenwriters and directors with so much potential. ![]() “Between 20, one in five Netflix titles in Korea will have come from a first-time writer or director,” Sarandos said. Aside from the production front, the investment will include funding for training programs for aspiring filmmakers and the next generation of creators in front of and behind the camera.įor example, Netflix is working with the Korea Radio Promotion Association to help talented local students gain experience in the production industry. In April, Netflix unveiled that it would invest $2.5 billion in Korea over the next four years, including on television series, films and unscripted shows. Of course, nothing quite beats Squid Game - the biggest TV show in history on any metric we’ve ever seen.” And last year, our Korean movie Carter and two TV shows - All of Us Are Dead and The Glory - hit the Netflix top 10 in over 90 countries. ![]() “Take just one genre - romance: 90 percent of K-romance viewing now comes from outside Korea. “A staggering 60 percent of our members have now watched one Korean title - with viewing of K-content up sixfold globally in the last four years,” he said. On his first visit to Korea since he was named the co-CEO of Netflix, Sarandos elaborated on Netflix’s partnership with Korean creators and the success of K-content abroad. Hayao Miyazaki's 'How Do You Live?' Will Be First Ghibli Film to Get a Simultaneous Imax Release
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